garments made from airbags and crafted from “unattractive” materials are among the projects on show at this year’s in .
Organised by architecture and design centre , the annual design festival showcases work from national and international participants across design, architecture and crafts.
Operating under this year’s theme of ‘care’, the festival’s fourth edition is populated with work by designers aiming to tackle carbon emissions in their respective industries – with a particular focus on locally-produced artwork and products.
Here, we have collected five projects that highlight this year’s focus on care, sustainability and circularity:
Airbag Project by Malmö Upcycling Service
A collection of garments made from 200 reclaimed airbags was showcased as part of a group exhibition led by design studio at this year’s Southern Sweden Design Days.
Created by a group of local fashion and textile artists, including , the collection ranges from bespoke handbags and jackets to lighting and conceptual designs.
The exhibition, which was curated by industrial designer , explores the potential reuse of waste airbags. These are currently “impossible for the industry to re-use and extremely hard to recycle”, the designer said.
Nöj Dig by Finn Ahlgren
Furniture company has exhibited a collection of its furniture built from “discarded, unattractive materials” at this year’s event.
Led by designer , the work by Nöj Dig focuses on accepting the aesthetic limitations of objects. It therefore builds with already-worn materials, in order to anticipate the future wear and tear of a material.
Among the collection are chairs and storage cupboards constructed from an assortment of reclaimed wood.
Therma Testa by Flemming Tvede Hansen and Isak Worre Foged
Displayed within the exhibition, Therma Testa features a wall assembled of modular ceramics defined by a twisted and glazed top.
Made solely from local clay, the project by professors and from the explores how this material can be used to form “expressive, functional and thermal building elements”.
The shape of the ceramics was designed to enhance the cooling potential of the clay-based wall.
The Aesthetics of Crushing by Nina Erichsen and Jacob Bang
Similarly exhibited within the Planetary Boundaries exhibition, The Aesthetics of Crushing explores the use of ceramic waste as a substitute for the use of fresh clay in building projects.
The project by Nina Erichsen and Jacob Bang showcases experiments into the process, which sees crushed discarded bricks being mixed with clay particles before being moulded into new objects.
The results of the experimentation are rough, textured objects that aim to promote circularity in the construction industries.
Design for Circularity by Superlab
A collection of flat-pack furniture comprised of a table and two benches made from reclaimed wood was highlighted at this exhibition by design laboratory .
Advocating for awareness of a product’s environmental impact, the exhibition by Superlab uses user-friendly systems to clearly outline recycling and reuse options for their products.
These systems include providing barcodes linking to Digital Product Passports that explain a product’s materiality, measurements and potential reuse and recycling instructions.
The photography is courtesy of Southern Sweden Design Days, unless otherwise stated.
is taking place at venues across Malmö from 23 to 26 May. For more events, exhibitions and talks in architecture and design visit .